Edwin Landseer is a key British artist who is discussed in full within this article.
Having previously mentioned his paintings in great detail, this article will uncover the man himself, and give a little more information on the life of Edwin Landseer and the reasons for his ascent in the art world, particularly centering on how he managed to succeed so early on in his life.
One major mark of Edwin Landseer's achievements and fame was the naming of Newfoundland dogs as Landseer, which still occurs today.
It shows off his great name in high quality paintings of various animals and a rare and fitting tribute for this.
Certainly, few artists have had animals named after them! Whilst Edwin Landseer paintings show off class, style and tranquil beauty, his own mind was no such thing.
A typical artist he certainly was, with bouts of mental instability throughout his life patched up by his prolific and high levels of success in his career.
This eventually culminated with him being declared insane, shortly before his death.
Pleasingly, he had already made his mark on the world by then.
Landseer was then buried in St Paul's Cathedral in London and his demise was saluted by the general public through various signals of respect which underlined his legacy.
Landseer is now seen alongside the likes of John Constable, JMW Turner, George Stubbs, Thomas Gainsborough and Joshua Reynolds in the short list of true art masters to have come from the British shores.
It is hard to see any current British artists making a similar impact in the ways these did, with modern life being somewhat different now and British artists themselves in the contemporary era are somewhat different in personality and style.
In conclusion, Edwin Landseer is an important marker in the British art world and a great supplier of resources to track the visual lives of the monarchy for a brief period in the reign of Queen Victoria.
Edwin Landseer is a great example at how connections with national galleries around London and the art figureheads was necessary for most aspiring artists to build up a reputation for their work and find rich customers willing to buy it or provide them commissions on new works.
Having previously mentioned his paintings in great detail, this article will uncover the man himself, and give a little more information on the life of Edwin Landseer and the reasons for his ascent in the art world, particularly centering on how he managed to succeed so early on in his life.
One major mark of Edwin Landseer's achievements and fame was the naming of Newfoundland dogs as Landseer, which still occurs today.
It shows off his great name in high quality paintings of various animals and a rare and fitting tribute for this.
Certainly, few artists have had animals named after them! Whilst Edwin Landseer paintings show off class, style and tranquil beauty, his own mind was no such thing.
A typical artist he certainly was, with bouts of mental instability throughout his life patched up by his prolific and high levels of success in his career.
This eventually culminated with him being declared insane, shortly before his death.
Pleasingly, he had already made his mark on the world by then.
Landseer was then buried in St Paul's Cathedral in London and his demise was saluted by the general public through various signals of respect which underlined his legacy.
Landseer is now seen alongside the likes of John Constable, JMW Turner, George Stubbs, Thomas Gainsborough and Joshua Reynolds in the short list of true art masters to have come from the British shores.
It is hard to see any current British artists making a similar impact in the ways these did, with modern life being somewhat different now and British artists themselves in the contemporary era are somewhat different in personality and style.
In conclusion, Edwin Landseer is an important marker in the British art world and a great supplier of resources to track the visual lives of the monarchy for a brief period in the reign of Queen Victoria.
Edwin Landseer is a great example at how connections with national galleries around London and the art figureheads was necessary for most aspiring artists to build up a reputation for their work and find rich customers willing to buy it or provide them commissions on new works.