E.V. Lucas"s Classic Essay on the Town Week

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A prolific essayist, journalist, and editor, E.V. Lucas acquired much of his education working at a bookshop in Brighton, England. He wrote frequently for the weekly humor magazine Punch and produced the standard editions of Charles Lamb's essays and letters. Although his own essays are now often regarded as quaint and sentimental, "The Town Week" offers signs of the darker personality that lay behind his urbane persona.

The Town Week


by E.V. Lucas (1868-1938)

It is odd that "Mondayish" is the only word which the days of the week have given us; since Monday is not alone in possessing a positive and peculiar character. Why not "Tuesdayish" or "Wednesdayish"? Each word would convey as much meaning to me, "Tuesdayish" in particular, for Monday's cardinal and reprehensible error of beginning the business week seems to me almost a virtue compared with Tuesday's utter flatness. To begin a new week is no fault at all, although tradition has branded it as one. To begin is a noble accomplishment; but to continue dully, to be the tame follower of a courageous beginner, to be the second day in a week of action, as in Tuesday's case--that is deplorable, if you like.

Monday can be flat enough, but in a different way from Tuesday. Monday is flat because one has been idling, perhaps unconsciously absorbing notions of living like the lilies; because so many days must pass before the week ends; because yesterday is no more.

But Tuesday has the sheer essential flatness of nonentity; Tuesday is nothing. If you would know how absolutely nothing it is, go to a week-end hotel at, say Brighton, and stay on after the Saturday-to-Monday population has flitted. On Tuesday you touch the depths. So does the menu--no chef ever exerted himself for a Tuesday guest. Tuesday is also very difficult to spell, many otherwise cultured ladies putting the e before the u; and why not? What right has Tuesday to any preference?

With all its faults, Monday has a positive character. Monday brings a feeling of revolt; Tuesday, the base craven, reconciles us to the machine. I am not surprised that the recent American revivalists held no meetings on Mondays. It was a mark of their astuteness; they knew that the wear and tear of overcoming the Monday feeling of the greater part of their audience would exhaust them before their magnetism began to have play; while a similarly stubborn difficulty would confront them in the remaining portion sunk in apathy by the thought that to-morrow would be Tuesday. It is this presage of certain tedium which has robbed Monday evening of its "glittering star." Yet since nothing so becomes a flat day as the death of it, Tuesday evening's glittering star (it is Wordsworth's phrase) is of the brightest--for is not the dreary day nearly done, and is not to-morrow Wednesday the bland?

With Wednesday, the week stirs itself, turns over, begins to wake. There are matinées on Wednesday; on Wednesday some of the more genial weekly papers come out. The very word has a good honest round air--Wednesday. Things, adventures, might happen very naturally on Wednesday; but that nothing ever happened on a Tuesday I am convinced. In summer Wednesday has often close finishes at Lord's, and it is a day on which one's friends are pretty sure to be accessible. On Monday they may not have returned from the country; on Friday they have begun to go out of town again; but on Wednesday they are here, at home--are solid. I am sure it is my favourite day.

(Even politicians, so slow as a rule to recognise the kindlier, more generous, side of life, realised for many years that Wednesday was a day on which they had no right to conduct their acrimonious business for more than an hour or so. Much of the failure of the last Government may be traced to their atheistical decision no longer to remember Wednesday to keep it holy.)

On Thursday the week falls back a little; the stirring of Wednesday is forgotten; there is a return to the folding of the hands. I am not sure that Thursday has not become the real day of rest. That it is a good honest day is the most that can be said for it. It is certainly not Thor's day any longer--if my reading of the character of the blacksmith-god is true. There is nothing strong and downright and fine about it. Compared with Tuesday's small beer, Thursday is almost champagne; but none the less they are related. One can group them together. If I were a business man, I should, I am certain, sell my shares at a loss on Monday and at a profit on Wednesday and Friday, but on Tuesday and Thursday I should get for them exactly what I gave.

I group Friday with Wednesday as a day that can be friendly to me, but it has not Wednesday's quality. Wednesday is calm, assured, urbane; Friday allows itself to be a little flurried and excited. Wednesday stands alone; Friday to some extent throws in its lot with Saturday. Friday is too busy. Too many papers come out, too many bags are packed, on Friday. But herein, of course, is some of its virtue: it is the beginning of the end, the forerunner of Saturday and Sunday. If anticipation, as the moralists say, is better than the realisation, Friday is perhaps the best day of the week, for one spends much of it in thinking of the morrow and what of good it should bring forth. Friday's greatest merit is perhaps that it paves the way to Saturday and the cessation of work. That it ever was really unlucky I greatly doubt.

And so we come to Saturday and Sunday. But here the analyst falters, for Saturday and Sunday pass from the region of definable days. Monday and Tuesday, Wednesday and Thursday and Friday, these are days with a character fixed more or less for all. But Saturday and Sunday are what we individually make of them. In one family they are friends, associates; in another as ill-assorted as Socrates and Xantippe. For most of us Saturday is not exactly a day at all, it is a collection of hours, part work, part pleasure, and all restlessness. It is a day that we plan for, and therefore it is often a failure. I have no distinct and unvarying impression of Saturday, except that trains are full and late and shops shut too early.

Sunday even more than Saturday is different as people are different. To the godly it is a day of low tones, its minutes go by muffled; to the children of the godly it is eternity. To the ungodly it is a day jeopardised by an interest in barometers that is almost too poignant. To one man it is an interruption of the week; to another it is the week itself, and all the rest of the days are but preparations for it. One cannot analyse Saturday and Sunday.

But Monday? There we are on solid ground again. Monday--but I have discussed Monday already: that is one of its principal characteristics, that it is always coming round again, pretending to be new. It is always the same in reality.

"The Town Week" by E.V. Lucas was originally published in the collection Fireside and Sunshine (Methuen, 1906) and reprinted in Harvest Home (1913).
 

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